In the time of Stradivarius (1644-1737), there were instruments adorned with sculptures, marquetry, ivory purflings or mother of pearl. One hundred years later, Vuillaume lives in a totally different cultural environment: the beginning of the industrial era. Virtuosos challenges of Paganini, Victorian severity swept away ornaments and frills and flounces of the Baroque world. This great French luthier, genius copyist, inventor, industrial precursor, has seen in his studio many Stradivarius instruments. So he sacrifices to the memory of his master the decoration of carved pegs and tailpieces, which are found today on the finest violinists of the XVIII century, Amati, Stradivari, Guarneri ... For this reason he uses patterns to the taste of his time: rosebud, Fleur-de-lis, acanthus leaves and shell!
A tuxedo for Stradivarius: the carved pieces ...
|
Bois d'Harmonie carved fittings
|
|
Bois d'Harmonie carved pegs
What could be more ordinary than a peg? This system is as simple as it's brilliant... An auto-locking shank, a plate to adjust the tension between the thumb and forefinger. The origin of pegs is simple ... Reaching the rightest tune has been his only contribution to the singing of the violin for 400 years. When the popular instrument started to reach highest levels, he finally reigned on classical music. It then got adorned with the insignia of his class.
|
Fleur-de-lis peg
click on image to enlarge
|
Maiden peg
click on image to enlarge
|
Vuillaume peg
click on image to enlarge
|
Acanthus peg
click on image to enlarge
|
Shell peg
click on image to enlarge
|
|
|
Bois d'Harmonie carved tailpieces
To comply with the violin and acoustic capabilities of the violin, the tailpiece is the only location where the player can leave his mark, including his initials or symbol.
|
Messiah Tailpiece
click on image to enlarge
|
Acanthus Border Hill style (Flamed)
click on image to enlarge
|
Floral border tailpiece with Fleur-de-lis
click on image to enlarge
|
« Flute player » tailpiece
click on image to enlarge
|
« St Cecile » tailpiece carved on ivory
click on image to enlarge
|
« St Cecile » tailpiece
click on image to enlarge
|
« St Marc » tailpiece
click on image to enlarge
|
|
«Full Acanthus» tailpiece
click on image to enlarge
|
|
Bois d'Harmonie carved chinrests
|
Fleur-de-lis chinrest
|
|
Flower pattern chinrest
|
|
Buttons carved Bois d'Harmonie
|
Fleur-de-lis endbutton
|
Acanthus endbutton
|
Shell endbutton
|
|
Technical Notes
These parts are mostly made of boxwood, but can also be done in Ebony. A judicious choice will be dictated by the style of the instrument itself, as well as the color of the varnish.
|